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Assault Case Won't Stop the Music-or the Sales.

^ a b Christgau, Robert (February 29, 2000).

(Transcription of original review at talk page) The Encyclopedia of Popular Music (5th ed.). AllMusic's John Bush wrote in a retrospective review that a couple of overwrought productions ('Dope Man', 'Things That U Do') keep it from being among Jay-Z's best albums. Nearly every track on this album was sonically unique, and Jay rode each one with aplomb and skill'. In addition to maintaining a strong lyrical presence, Jay also showcased his talents as a master of flow, changing cadences and rhyme patterns with impressive regularity and flexibility. Carter took combination of style and substance to its apotheosis. In The Rolling Stone Album Guide (2004), Jon Caramanica later wrote, ' Life & Times of S. Soren Baker was less impressed in the Los Angeles Times, writing that the record lacks the 'biting humor and spectacular wordplay' of his previous albums. 3… 'the quintessential 2000-model hip hop album'. Fellow Voice critic Miles Marshall Lewis called Jay-Z 'the best MC in hip hop' and Vol. In The Village Voice, Robert Christgau argued that Jay-Z has too much at stake commercially to depart from 'playing the now-a-rapper-now-a-thug 'reality' game with his customers, thugs and fantasists both', but he impresses with 'a rugged, expansive vigor, nailing both come-fly-with-me cosmopolitanism and the hunger for excitement that's turned gangster hangouts into musical hotbeds from Buenos Aires to Kansas City'. Reviewing the album in Entertainment Weekly, Anthony DeCurtis said it reconnects with Jay-Z's urban demographic, 'with flair', while Steve Jones of USA Today was particularly impressed by his lyrics and flow, finding both to be 'razor-sharp as ever'. Richard Harrington from The Washington Post found the record to be 'full of reputation-building swagger, cataloguing of lyrical skills and autobiographical perspective'. as 'his strongest album to date, with music that's filled with catchy hooks, rump-shaking beats and lyrics fueled by Jay's hustler's vigilance'. In a contemporary review, Rolling Stone critic Kris Ex wrote that Jay-Z 'has become a better architect of songs' while hailing Vol. In 2009, the album reached sales of 3,093,000 copies, according to Nielsen SoundScan. On February 14, 2001, it was certified triple platinum by the Recording Industry Association of America (RIAA). The sales week was thirty-percent more than the first-week sales of Jay-Z's previous album, Vol. was released on December 28, 1999, and sold 462,000 copies in its first week, while debuting at number one on the Billboard 200.

Irv gotti presents the inc zip professional#

Recording Industry Association of America.‹ The template Album ratings is being considered for merging. › Professional ratings Review scores

^ 'American album certifications – Various – P.

Type We Invented the Remix in the 'Search BPI Awards' field and then press Enter.

^ 'Top Billboard 200 Albums – Year-End 2002'.

^ 'Top 100 rap albums of 2002 in Canada'.

^ 'Top 200 Albums of 2002 (based on sales)'.

^ 'Various Artists Chart History (Top R&B/Hip-Hop Albums)'.

^ 'Various Artists Chart History ( Billboard 200)'.

^ 'Various Artists Chart History (Canadian Albums)'.

Diddy :: We Invented the Remix :: Bad Boy Records/Arista'. Diddy' Combs, Mario Winans, and Harve 'Joe Hooker' Pierre for the Hitmen Diddy' Combs and Mario Winans for the Hitmen, Buckwildīlack Rob, Missy Elliott, Snoop Dogg and G.

Diddy' Combs and Mario Winans for the Hitmen

Ginuwine, Loon, Mario Winans and Tammy Ruggieri Ghostface Killah, Keith Murray and Craig Mack Diddy 'Invented' here was a mediocre album.' Track listing # If you can't find the album on sale or at a comparable price it's just not a good investment. Diddy's involvement on the album for making terrible choices to songs that were both unoriginal and pointless, concluding that 'If anything it proves that some songs DON'T need a remix, and even those that do should be given better treatment than the selection was here. Steve 'Flash' Juon of RapReviews said that despite great remixes of 'Special Delivery' and 'I Need a Girl', he criticized P.

Jason Birchmeier of AllMusic praised the album for crafting a collection of top-notch producers and guest artists to create sure-fire hits that are better than those from The Saga Continues., concluding that 'As a result, We Invented the Remix confirms Combs' return to the top of the urban music world after a few years of struggle.' Wise Q of HipHopDX also praised the tracks for the producers and guest artists that come up with their own interpretation but questioned if Diddy can keep his remix formula going without losing any creative steam. ‹ The template Album ratings is being considered for merging. › Professional ratings Review scores